In an era when culture itself has become central to political debates, when boundaries between hard news and soft news, facts and opinion are dissolving, cultural journalism contributes to democratic discourse on vital issues of our time. Cultural journalism is furthermore indicative of journalistic autonomy and specialisation within media organisations, and of the intertwined relationship between the cultural and political public spheres. Nordic cultural journalism in the mainstream media covers more subjects today than ever before, from fine arts to gaming, media industries, and lifestyle issues. At the same time, it harbours debates and reflection on freedom of expression, ethnicity and national identity. This book contributes to an emerging international research agenda on cultural journalism at a time when digitalisation, convergence and globalisation are influencing the character of journalism in multiple ways.
“Cultural journalism matters, and it matters differently by location. This nuanced and thoughtful portrayal of cultural journalism in the Nordic countries performs a double elevation of what has been missing for too long from journalism’s discussion: its stylistic and geographic variety. This book offers a strong set of studies that highlight what cultural journalism in the Nordic countries forces us to consider about all journalism everywhere.”
Barbie Zelizer Raymond Williams Professor of Communication,
Annenberg School for Communication, University of Pennsylvania
ArbetstitelCultural journalism in the Nordic countries
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Publiceringsdatum2022-10-19 00:00:00
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erpOwnsPrice Kort BeskrivningJournalism research has long focused on political journalism and the news media as key to the political public sphere. This is due to the idea that a professional, autonomous and versatile press, addressing issues of societal importance is a precondition for democracy (Curran 2011). As a consequence, journalism scholars have neglected the news media’s coverage of art, culture, and lifestyle – central to what Habermas called the “literary public sphere” – and what is known in the Nordic countries as “cultural journalism”. When cultural journalism has been addressed, this type of content is most often criticised as examples of the tabloidization of journalism.
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